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Monday
Crack open the cash machine
Unleashing the clues

Tuesday
APRA 2006 winners

Wednesday
Children Collide get Passport stamps
TV on the Radio in person

Thursday
The Hot Lies continue tour assault
Matisyahu plays solo shows

Friday
Dirty Lucy hit the white lines
The BellRays tour with Radio Birdman

 

Snow Patrol
Eyes Open
Fiction/Polydor

 

Rating: 70%

Snow Patrol surprised everyone by becoming the Sebadoh it was okay for your grandmother to like with their third album Final Straw. Not only did it follow on from Coldplay and thus create a niche for itself, but it sold in America by pushing what they created – indie rock – back to them.

The Scots who moved to Ireland certainly turned their frontman Gary Lightbody into quite the pin-up, and that continues apace on Eyes Open, and album that ups the ante somewhat on its predecessor, but is nevertheless straight down the line throughout. Sacking his songwriting cohort and band cofounder on bass, Mark McClelland, has certainly made Lightbody’s songs the central focus for Snow Patrol.

Single and opening cut “You’re All I Have” works well, and it’s clear from the get go that Eyes Open is an amped-up Snow Patrol. “Set the Fire to the Third Bar” is a duet with Martha Wainwright while “Hands Open” references Sufjan Stevens, so indie credibility is tentatively grasped at, but this is an album very much about positioning Snow Patrol as a mainstream act. They do it well – the emotive songs clutch and strain for the hearts, while the stompers have plenty of energy. There’s no doubt that Eyes Open is a far more M.O.R. effort than in the past: “Chasing Cars” and “You Could Be Happy” (complete with sickly sweet glockenspiel) are straight down the line ballads, while “Beginning to Get to Me” is a pure radio hit waiting to happening.

The only time danger comes near to Eyes Open is on the gospel choir of “Shut Your Eyes” and the mega-ballad “Make This Go On Forever”, which is a particularly strong song. So Snow Patrol have seen the promised land, and realised that to get there you must play the game and deliver radio hits and songs that don’t offend, don’t challenge, and don’t offer up anything new. They’re strong and catchy and everything a mainstream rock band should deliver on the follow-up to their breakthrough album. Strong on melody, the focus has most certainly become Lightbody’s pleasingly plaintive voice, and that pushes Snow Patrol into a straight direction into the mainstream.


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